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Codec Cold Thin

Codec Cold Thin Italic

Codec Cold Extralight Italic

Codec Cold Light

Codec Cold Light Italic

Codec Cold News

Codec Cold News Italic

Codec Cold Regular

Codec Cold Regular Italic

Codec Cold Bold Italic

Codec Cold ExtraBold

Codec Cold ExtraBold Italic

Codec Cold Heavy

Codec Cold Heavy Italic

Codec Cold Logo Light

Codec Cold Logo Light Italic

Codec Cold Logo Regular

Codec Cold Logo Regular Italic

Codec Cold Logo Bold

Codec Cold Logo Bold Italic

Codec Warm Thin

Codec Warm Thin Italic

Codec Warm ExtraLight

Codec Warm ExtraLight Italic

Codec Warm Light

Codec Warm Light Italic

Codec Warm News

Codec Warm News Italic

Codec Warm Regular

Codec Warm Regular Italic

Codec Warm Bold

Codec Warm Bold Italic

Codec Warm ExtraBold

Codec Warm ExtraBold Italic

Codec Warm Heavy

Codec Warm Heavy Italic

Codec Warm Logo Light

Codec Warm Logo Light Italic

Codec Warm Logo Regular

Codec Warm Logo Regular Italic

Codec Warm Logo Bold

Codec Warm Logo Bold Italic

Tarif

Weights

  • C
    Codec Cold Thin
  • C
    Codec Cold Light
  • C
    Codec Cold News
  • C
    Codec Cold Regular
  • C
    Codec Cold ExtraBold
  • C
    Codec Cold Heavy
  • C
    Tarif
Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli. As in many contemporary typefaces that take inspiration from the constructionist logic of Futura, design is defined by the small choices in the space between rigorous geometric perfection and minimal humanist corrections. But rather than solving this tension with a collection of arbitrary choices, Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm. In Codec Cold terminals are  Show all
Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli. As in many contemporary typefaces that take inspiration from the constructionist logic of Futura, design is defined by the small choices in the space between rigorous geometric perfection and minimal humanist corrections. But rather than solving this tension with a collection of arbitrary choices, Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm. In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look. In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling. Both Codec Cold and Codec Warm come with a wide range of glyphs for language coverage, including cyrillic and greek alphabets, and of open type features, including small caps, positional numerals and swash forms. Codec typefaces also include over a hundred variant ligature and alternate glyphs. These glyphs, usually avalaible as discretionary ligatures, have been made permanently active in two subfamilies of Codec Logo, created for display use and logo design, and thus avalaible ina different set of weights. Codec Logo Cold makes the cold geometry alive with funky ligatures, while Codec Logo Warm randomly stretches characters: both allow for quick, unexpected solutions in logo design and display type treatment.

Available Formats:

Truetype, Opentype, Woff,

Writing system:

Arabic, Latin, Cyrillic

Language Supported:

215 Languages  Show all Hide all
English, Arabic, Spanish, Portuguese, French, Russian, German, Javanese (Latin), Vietnamese, Turkish, Italian, Polish, Afaan Oromo, Tagalog, Sundanese (Latin), Filipino, Moldovan, Romanian, Indonesian, Dutch, Cebuano, Igbo, Malay, Uzbek (Latin), Kurdish (Latin), Swahili, Hungarian, Czech, Haitian Creole, Hiligaynon, Afrikaans, Somali, Zulu, Serbian, Swedish, Bulgarian, Shona, Quechua, Albanian, Catalan, Chichewa, Ilocano, Kikongo, Kinyarwanda, Neapolitan, Xhosa, Tshiluba, Slovak, Danish, Gikuyu, Finnish, Norwegian, Sicilian, Sotho (Southern), Kirundi, Tswana, Sotho (Northern), Belarusian (Latin), Turkmen (Latin), Bemba, Lombard, Lithuanian, Tsonga, Wolof, Jamaican, Dholuo, Galician, Ganda, Low Saxon, Waray-Waray, Makhuwa, Bikol, Kapampangan (Latin), Aymara, Zarma, Ndebele, Slovenian, Tumbuka, Venetian, Genoese, Piedmontese, Swazi, Zazaki, Latvian, Nahuatl, Silesian, Sardinian, Estonian, Afar, Cape Verdean Creole, Maasai, Occitan, Tetum, Oshiwambo, Basque, Welsh, Chavacano, Dawan, Montenegrin, Walloon, Asturian, Kaqchikel, Ossetian (Latin), Zapotec, Frisian, Guadeloupean Creole, Q’eqchi’, Crimean Tatar (Latin), Sango, Luxembourgish, Samoan, Maltese, Tzotzil, Fijian, Friulian, Icelandic, Sranan, Wayuu, Papiamento, Aromanian, Corsican, Breton, Amis, Māori, Tok Pisin, Tongan, Alsatian, Atayal, Kiribati, Seychellois Creole, Võro, Tahitian, Scottish Gaelic, Chamorro, Greenlandic (Kalaallisut), Kashubian, Faroese, Rarotongan, Sorbian (Upper Sorbian), Karelian (Latin), Romansh, Chickasaw, Arvanitic (Latin), Nagamese Creole, Saramaccan, Ladin, Kaingang, Palauan, Sami (Northern Sami), Sorbian (Lower Sorbian), Drehu, Wallisian, Aragonese, Mirandese, Tuvaluan, Xavante, Zuni, Montagnais, Hawaiian, Marquesan, Niuean, Yapese, Vepsian, Bislama, Hopi, Megleno-Romanian, Creek, Aranese, Rotokas, Tokelauan, Mohawk, Onĕipŏt, Warlpiri, Cimbrian, Sami (Lule Sami), Jèrriais, Arrernte, Murrinh-Patha, Kala Lagaw Ya, Cofán, Gwich’in, Seri, Sami (Southern Sami), Istro-Romanian, Wik-Mungkan, Anuta, Cornish, Sami (Inari Sami), Yindjibarndi, Noongar, Hotcąk (Latin), Meriam Mir, Manx, Shawnee, Gooniyandi, Ido, Wiradjuri, Hän, Ngiyambaa, Delaware, Potawatomi, Abenaki, Esperanto, Folkspraak, Interglossa, Interlingua, Latin, Latino sine Flexione, Lojban, Novial, Occidental, Old Icelandic, Old Norse, Slovio (Latin), Volapük

Features

  • fl fi
    Standard Ligatures
  • (HO!)
    Case-Sensitive Forms
  • ABCDE
    Small Capitals From Capitals
  • stct
    Discretionary Ligatures
  • Wagek
    Stylistic Alternates
  • Abago
    Small Capitals
  • Vaga
    Stylistic Set 1
  • Oggi
    Stylistic Set 2
  • 12/23
    Fractions
  • 1a 3th
    Ordinals
  • 12360
    Lining Figures
  • 12360
    Proportional Figures
  • 7890
    Oldstyle Figures
  • 1234
    Tabular Figures
  • H123
    Alternate Annotation Forms
  • H123
    Denominators
  • H123
    Subscript
  • H123
    Superscript
  • H123
    Scientific Inferiors
  • H123
    Numerators
  • 120
    Slashed Zero

Styles

  • a
    Codec Cold Thin
  • a
    Codec Cold
  • a
    Codec Cold Logo
  • a
    Codec Warm
  • a
    Codec Warm Heavy
  • a
    Tarif
Codec Cold Heavy
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European languages

Codec Cold Extralight Italic
CLICK ON TEXT TO EDIT

The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

Codec Cold News
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The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary. The languages only differ in their grammar, their pronunciation and their most common words. Everyone realizes why a new common language would be desirable: one could refuse to pay expensive translators. To achieve this, it would be necessary to have uniform grammar, pronunciation and more common words. If several languages coalesce, the grammar of the resulting language is more simple and regular than that of the individual languages. The new common language will be more simple and regular than the existing European languages. It will be as simple as Occidental; in fact, it will be Occidental. To an English person, it will seem like simplified English, as a skeptical Cambridge friend of mine told me what Occidental is. The European languages are members of the same family. Their separate existence is a myth. For science, music, sport, etc, Europe uses the same vocabulary.

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